Hurray For The Riff Raff, Clear Plastic Masks and Lonesome Leash, April 25, 2014 @ The Echo

Hurray For The Riff Raff

Hurray For The Riff Raff

New Orleans’ Hurray For The Riff Raff was another band I missed out on at this year’s SXSW but was coming through LA  that we were able to get tickets for last Friday.  After some great deep dish at Masa, we walked over to the Echo.  First opener was fellow New Orleans artist Walt McClements aka Lonesome Leash.  He later joined HFTRR for a song and they explained he had recorded with them when they were both in New Orleans.

I had listened to the few songs he has online; they seemed a little somber.  Live, it came off much more upbeat and I’m always amazed by the talent folks have that are multi-instrumentalists.  In addition to singing, he played the accordion, a bass drum, hi hat, and at time also pulled out a trumpet.  I don’t have the type of brain that would allow me to be doing so many things at once, so I’ll always give props to those that can.  His vocals reminded me of a less raspy Tom Waits, which isn’t my favorite, but it was a good compliment to the accordian and the overall vibe of his set.  He is now living in LA, and I hope he gets to make some more music out here.

Clear Plastic Masks

Clear Plastic Masks

Next up was the Nashville by way of NYC band Clear Plastic Masks.  We had seen the guys from the band hanging outside on the patio earlier in the night and they seemed to be loose and ready to go.  They played straight ahead rock n roll and there was nothing wrong with that because they do it well.  Singer and guitarist Andrew Katz seems to embrace his inner Mick Jagger with both his vocals and his stage presence.  He had friendly banter with the audience, though towards the end of his set he mentioned some sort of trouble in San Francisco and selling their stuff after the show.  A joke or serious, I couldn’t tell.  Back to the music, the rhythm section was solid and I thought shined even more on the slower numbers.  Katz’s lyrics are clever and they were a good warmup for the headliner.

Alynda Lee Segarra’s big hair is matched by an equally big voice.  She is the heart and soul of the band, and her voice is just as full and velvetly live as it is on their latest record Small Town Heroes.  Joined by a fiddle and stand up bass as well as guitar and drums, the band doesn’t hide its Southerness.  Segarra pulled out a banjo for one tune and answered the cheers by saying “you have to go back to where you started”, a nod to her beginnings as a banjo player.  Songs I recognized were Blue Ridge Mountain (Segarra introduced it as a song about the Carolinas) and The Body Electric.  She also played a Lucinda Williams cover, a choice that makes a lot of sense for her.  It was a really fun, rollicking show of Southern folk and rock. The crowd was really enjoying themselves and was happy to clap along to several of the band’s numbers.  They came back for a short encore and had members of Clear Plastic Masks join them.

For a few hours, each of the bands made us drop the California from Southern California.  We stepped back into California when the show ended, but if you do want to escape to the South for a few hours any of these three bands will do the trick.

No videos I found from the show, so here’s a nice live version of St. Roch Blues:

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