You Call That A Shuffle?

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Straight to the shuffle:

Tears for Fears, Sowing The Seeds of Love, from Tears Roll Down (Greatest Hits 82-92). Four stars.  This is the full version of the song, which more than the radio edit, shows how this is a full-on tribute to Sgt. Pepper’s era-Beatles.  The middle section of the song has orchestral swells and layered horns that is totally reminiscent of parts of several Sgt. Pepper songs.  A so-obvious tribute (Lennon would have been proud of the number of times the word “love” is uttered) could have backfired, but it works and stands on its own as a catchy pop song.

Gnarls Barkley, The Boogie Monster, from St. Elsewhere.  Three stars.  Yes, I have the entire album that has the Crazy song on it.  It’s actually a decent album, but there’s some misses and this is one of them.  There’s a decent organ line running through the song, but it’s just kinda of a flat song that doesn’t go anywhere and has ho-hum lyrics.  Given the title and lyrics, they were obviously going for a “scary” vibe, but it’s about as scary as The Wicker Man reboot (not scary).  And it throws in a dumb fellatio joke at the last second that has no discernible connection to the rest of the song.

The Clash, Police on My Back, from The Essential Clash (Disc 2). Four stars.  This song was originally written by Guyanese artist Eddy Grant and appeared on the sprawling and ambitious Clash album Sandinista!  The opening guitar riff sounds like a whirring police siren and propels the song forward throughout.  For the international influence of a lot of songs on this album and the origins of this song in particular, the Clash’s version come across as pretty straight-forward rock.  Bonus points for the train whistle sound effect to go with the lyrics about “running down the railway tracks.”

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