Posts Tagged ‘Parquet Courts’

Quick Hit or Miss – Catch Up Edition

July 18, 2016

I mentioned in my last post that I had some albums I wanted to write about. Here’s a few newish albums and my hit or miss thoughts:

A_Moon_Shaped_Pool

1. Radiohead, A Moon Shaped Pool. To cut to the chase, this is a Hit. Radiohead seems they can put out a cohesive and musically interesting album in their sleep. This goes in the top half of their canon for me, though it’s not without its small faults. Radiohead could always put out songs that had soaring orchestral feeling while using traditional rock instruments. Here they actually have quite a bit of real orchestration, starting with the strings in opener Burn The Witch and continuing throughout the album. It seems unnecessary in some places. My favorite track is Ful Stop with its menacing bassline and spacey effects. Identikit is also a standout and one of the more “traditional” Radiohead tracks here. And overall, even with those orchestral additions, this group of songs hews closer to earlier records than some of the more knob twiddling of recent efforts.

The_colour_in_anything_blake

2. James Blake, The Colour In Anything. I give Blake and his producers credit for putting himself up front and center in his music and he usually delivers. The skittering, clattering beats and music that back him most often take a back seat to Blake and his nice vocal range. The album has a consistent sound throughout, which works to a point. But at 17 tracks, I feel like it’s a few tracks too long. The funny thing is several of my faves are in the back half; after opener Radio Silence, my two other standouts are  tracks 11 (I Need A Forest Fire with Justin Vernon) and track 15 (Modern Soul).  I’d give it a qualified Hit.

Human_Performance_(Front_Cover)

3. Parquet Courts, Human Performance. They still have a sense of humor; opener Dust becomes the go-to indie rock song to sweep to. They still can tell a good story in the span of a 3-4 minute song. They still hold the stranglehold on being the NYC-est rock band out there. They still throw in a few curveball weirdo songs. They are America’s Kinks. So, yeah, Hit.

Big_black_coat

4. Junior Boys, Big Black Coat. Mostly synth pop harkening back to the 80s with  a few dalliances into house music, this is a fun album. They get a little dark and serious to keep this from getting monotonous. Opener You Say That and album closer Big Black Coat are my two favorite songs, the latter being one of my most played of the year so far.  I give this one a Hit.

Let The Year-End Music Reviews Begin!

November 23, 2014

I got a head start on my own 2014 music thoughts by putting together a few playlists of songs I liked in 2014.  The first one I’ve done consists of garage rock and hard rock.  Basically songs I liked that were propulsive with killer guitar.  I’m posting the mixes on my Dropbox, you can find the mix here.

Song List:

1. Huey Newton, St. Vincent from St. Vincent.  This wouldn’t seem to fit the mix at first, but I love how it flips about half way from calm to noise.  My favorite track off one of the year’s best front-to-back albums.

2. Tall Man Skinny Lady, Ty Segall from Manipulator.  I could have picked any of a half dozen songs off this excellent release.  The man knows how to create amazing guitar riffs.  The solo on this one is sick too and the drumming isn’t too shabby either.  He scorched this one at the Echo when I saw this summer.

3. So Hot So Cold, Ex Hex from Rips.  Mary Timony created one of my favorite power pop songs with this one from her new band’s debut.  Got to see them play almost the whole new disc at SXSW this year.

4. Lazaretto, Jack White from Lazaretto.  I thought this one was a little more uneven than Blunderbuss, but this was one of the tracks that shows White still is the current king of blues-based guitar rock (sorry Black Keys).

5. Have You Seen My Son, Benjamin Booker from Benjamin Booker.  White better look in his rear view mirror, this young guy from New Orleans is going to be nipping on his heels with driving guitar and drums and just the right amount of gravel in his voice for some blues-based numbers.

6. Headbanger, King Tuff from Black Moon Spell.  Reminds me of 90s alternative rock which reminds me of being in college.  Another strong album most of the way through.

7. I Don’t Know You Anymore, Bob Mould from Beauty & Ruin.  He’s still got it.  The type of song he’s been writing for many years and they still rock with both polish and grit.  Got to see him for the first time ever at SXSW this year, up close and personal and he also hasn’t appeared to lose anything in the live department either.

8.  These Plains, Vertical Scratchers from Daughters of Everything.  Made sense to include one of Mould’s labelmates on Merge Records next.  They played much earlier in the night than Mould at the Merge showcase at SXSW, but they also rocked out in short bursts of songs that bounced along with fun guitar riffs.

9. Flying Golem, Wand from Ganglion Reef.  Mentioned these guys in my write up of Ty Segall’s show at the Echo.  This riff is right up there with anything Ty’s done this year in my opinion.  Saw them again opening for Mac Demarco a few weeks ago and they killed it again on this song.  Hope they start getting some more recognition.

10. Shelter Song, Temples from Sun Shelter. Did you think this was a Beatles song when it started.  It sure sounds like it, but it settles into a pleasant pastiche of 60’s era psychedelia that seems to emanate sunshine through the speakers.

11. Tired & Buttered, Quilt from Held in Splendor.  Some more 60s psychedelic rock to back up Temples.  Instead of England, these guys hail from Boston.  A little less sunny and a little more uptempo.  And a great song title.

12. Instant Disassembly, Parquet Courts from Sunbathing Animal.  Slow it down a bit to end the mix.  An album-of-the-year contender for me and the slow burn of this song and the album in general might not be what you expect from this band, but it suits them well.  You think the song might take off at any minute, but it just keeps moving along at its own pace and I’m just fine with that.

Look for two more mixes in the next couple weeks.

Albums of 2014, Six Months In

June 23, 2014

I think I’ve listened to more new albums in 2014 than the past few years combined and there’s been a lot of good stuff out so far. Here’s some albums I’ve enjoyed:

1. St. Vincent, s/t. One of the best live shows I’ve been to this year and one of my favorite albums. Favorite song is Huey Newton, but there’s not any stinkers in the whole album and the whole thing rocks.

2. Sun Kil Moon, Benji. Mark Kozelek bares it all (if he has more to bare, I’m not sure I can handle it) on this confessional string of songs. More than that, each song is a vivid story and his lyrics create a great rhythm that complements the mostly spare arrangements.

3. Mac DeMarco, Salad Days. Mac’s songs on this album somehow come off relaxed and rocking at the same time. It’s a great record for sitting out on your porch on a summer night.

4. Parquet Courts, Sunbathing Animal. Overall a slower affair than the last album which I actually enjoy more, especially when they draw out the songs and let the riffs ride.

5. Todd Terje, It’s Album Time. The Norwegian DJ’s first proper LP is a fun, spacey affair that still maintains a cohesion throughout that reminded me of the Chemical Brothers first album, which is a big compliment from me.

Honorable mentions to First Aid Kit, Sharon Jones, Sylvan Esso, Damien Jurado, Hundred Waters, Liars, Angel Olson and Neneh Cherry. Like I said, a lot of good music this year.