After seeing Dan Deacon get the crowd moving at the Echoplex on Friday, I was back to the same venue to see Lightning Bolt do the same thing. Though the way the bands do it and the way people move is quite different.
I missed the first opener, but got there in time to see Liturgy, a metal band that I’d throw into the “doom/black” variety of metal. There was appropriate riffage and the drummer specialized in high speed bass drum kicks that led the charge on many of their songs. Lyrics kind of got lost in the noise; the lead singer was soft spoken and didn’t say much beyond announcing the name of the band and a perfunctory thanks when they finished their set. Their new album was supposed to incorporate some elements not found in the genre, like bells, and sure enough there was one song that featured some prerecorded glockenspiel. It worked for me, the bells were a nice contrast to the dark and heavy guitar and drumming. The crowd seemed to be into it, with a few enthusiastic young guys flipping the bird at the stage in unison with the music. I guess that’s a sign of respect in this genre? I’m out of my element on that one.
Following a short break it was time for the main attraction, Rhode Island’s Lightning Bolt. I saw them about 5 years ago and my review gives you a good idea what I saw here in LA. One difference was that Brian Chippendale was much more talkative. He greeted the enthusiastic crowd and told a story of how they almost didn’t make it to LA from Oakland when he wanted to pull into a gas station to get a juice and didn’t notice the median and curb and launched their van airborne, over the median, and made it back to asphalt without breaking an axle. The punchline: the gas station was closed.
All the things I liked about seeing them before was on display again. Chippendale is a human dynamo on the drums, which contrasts with the stoic Brian Gibson on bass. One thing they both do is create a cacophony that still finds its way to lock into a groove. And then pummel that groove to death. Their new album, Fantasy Empire, has been touted as having more of a metal bent. A good bit of the set was that new material and there was a lively mosh pit and a lot of headbashing. I had secured a spot right by the soundboard, so I was safe. While on record these new songs do sound a bit more “polished”, that polish is smeared all over the place during their live show. There are waves of rhythm coming at you, and every so often, the wave recedes and allows one of them to breathe and let the other start building the next wave.
They came out for an encore with two ferocious takes on two old songs, Dracula Mountain and Ride the Sky. The mosh pit reacted in kind and even in my “safe” spot we had a couple bodies come flying into us. A great end to their set.
Here’s a decent video recapping the performances of both Liturgy and Lightning Bolt (LB starts at 3:04). I didn’t see the first opener Baby Aspirin DVD (there’s a short bit of them in the video too).